Katsura sometimes leaves some footprints here when she pauses in her everyday journey. Katsura is a Japanese contemporary dancer and Pilates teacher, based in London.>>more info>> katsuraisobe.net
磯部桂はロンドンでダンスをしたり、ピラティスを教えたりしながら暮らしています。
Showing posts with label everyday. Show all posts
Showing posts with label everyday. Show all posts
Saturday, 18 December 2010
Tuesday, 9 November 2010
To practise dance practice
Chrysa Parkinson self interview
I'm always wondering that there is no much knowledge of performers discussed and talked in dance. There are lots of talks by choreographers but not performers. I believe that performers have very unique knowledge on creativity and strategy, apart from how to prevent injuries and keep fit.
Here, at the link above, Chrysa Parkinson digs a discussion about what performance means to her.
This gives me enormous energy to keep going. Rather than where I get to in future, the important thing is to practise practise practise every moment. Even I am not dancing physically, even I am teaching Pilates for six hours in a studio, let me think that I am practising.
Writing is very important part of practice, and I wish I can develop the skill better.
I'm always wondering that there is no much knowledge of performers discussed and talked in dance. There are lots of talks by choreographers but not performers. I believe that performers have very unique knowledge on creativity and strategy, apart from how to prevent injuries and keep fit.
Here, at the link above, Chrysa Parkinson digs a discussion about what performance means to her.
This gives me enormous energy to keep going. Rather than where I get to in future, the important thing is to practise practise practise every moment. Even I am not dancing physically, even I am teaching Pilates for six hours in a studio, let me think that I am practising.
Writing is very important part of practice, and I wish I can develop the skill better.
Monday, 28 June 2010
Tuesday, 4 May 2010
Our neighbour
Friday, 22 January 2010
Happy 2010
Friday, 25 September 2009
Documentation, score and creation
Last evening, I went to a seminar at London Metropolitan University.
---
Recording the Performance
Investigating Performance and its Documentation
-Is it possible to effectively and truthfully document the live performance?
-Is this process different for performance based research than for other performance?
-Can the work, as documented, stand alone without further academic writing to support it?
-What does the process of documentation reveal about the work?
-What are the ethical and legal implications?
---
Last May, I was part of Weave research project, which is part of this whole series of researches into documentation. I know 'documentation' is a large issue among academics in performing arts, and I don't know too much about it.
How I am related to the issue is; when I was finishing MA in 2002, I had to show the documentation of the process and also the final performance. There was a question about how I can document- writings, journal, video footage, drawings etc. Then I had a big struggle of translating what I have gone through into what other people would understand. It was a headache.
While I was listening to the presentations and discussion in the seminar, I have realised that this blog is also a documentation. A documentation of events and thoughts I have gone through.
By the way, Documentation is not equal to presentation. There are two kinds of documentation: one is to present my idea to someone. The other is to digest my experience and to go further from there. I see more potential in the latter. The idea agrees with a focus on the process rather than the product, which has lots to do with dance creation.
Deborah Hay, an American choreographer, makes written score as part of her dance practice. Move-write the score- move again- write the score again... the activitiy goes on and goes up like a spiral.
A British choreographer, Rosemary Butcher also uses a kind of score, but for her it tends to be pictures or drawings to start with then once you had a departure, your memory makes a score. The moments you remember are the source for next move, then new things come in, then you have another moments you remember... and the activity goes on and the moements remained get compressed and crystallised.
The potential and importance of documentation are so huge. I have been trying to find my own way of blogging but it is actually means my own way of documenting. It reminds me my old day when some one taught me how to take notes in classroom. It is like that. How you document really matters.
---
Recording the Performance
Investigating Performance and its Documentation
-Is it possible to effectively and truthfully document the live performance?
-Is this process different for performance based research than for other performance?
-Can the work, as documented, stand alone without further academic writing to support it?
-What does the process of documentation reveal about the work?
-What are the ethical and legal implications?
---
Last May, I was part of Weave research project, which is part of this whole series of researches into documentation. I know 'documentation' is a large issue among academics in performing arts, and I don't know too much about it.
How I am related to the issue is; when I was finishing MA in 2002, I had to show the documentation of the process and also the final performance. There was a question about how I can document- writings, journal, video footage, drawings etc. Then I had a big struggle of translating what I have gone through into what other people would understand. It was a headache.
While I was listening to the presentations and discussion in the seminar, I have realised that this blog is also a documentation. A documentation of events and thoughts I have gone through.
By the way, Documentation is not equal to presentation. There are two kinds of documentation: one is to present my idea to someone. The other is to digest my experience and to go further from there. I see more potential in the latter. The idea agrees with a focus on the process rather than the product, which has lots to do with dance creation.
Deborah Hay, an American choreographer, makes written score as part of her dance practice. Move-write the score- move again- write the score again... the activitiy goes on and goes up like a spiral.
A British choreographer, Rosemary Butcher also uses a kind of score, but for her it tends to be pictures or drawings to start with then once you had a departure, your memory makes a score. The moments you remember are the source for next move, then new things come in, then you have another moments you remember... and the activity goes on and the moements remained get compressed and crystallised.
The potential and importance of documentation are so huge. I have been trying to find my own way of blogging but it is actually means my own way of documenting. It reminds me my old day when some one taught me how to take notes in classroom. It is like that. How you document really matters.
Thursday, 23 July 2009
Work by Liu Bolin
Work by Liu Bolin.I like this work the best.
I also like the fact that he has some experience of himself in the society that has lead him to start this work.
Link to Original article
Friday, 19 June 2009
Entrance to my running parkHackney Downs
I run 20 minutes
to let stale air out
from my body
I used to teach PE in a college in Japan.
Body fat starts burning after 20 minutes of exercise.
I used to motivate young women not to give up moving by telling so.
I am not running to get slim.
And i cannot run any longer than 20 minutes.
It is not because I get out of breath. Because I get bored!
What are marathon runners thinking while running?
Body fat starts burning after 20 minutes of exercise.
I used to motivate young women not to give up moving by telling so.
I am not running to get slim.
And i cannot run any longer than 20 minutes.
It is not because I get out of breath. Because I get bored!
What are marathon runners thinking while running?
Thursday, 18 June 2009
Lunch time dancing in the air
Yesterday lunch time
Someone dancing in the air
The wind is strong
I was bombarded in Italian class in the morning
What is waiting for me in the afternoon
Here is someone dancing in the air
---
Video is difficult...
Tuesday, 16 June 2009
BST 8pm
Monday, 15 June 2009
Something I like
And also it maybe interesting to work with her as a choreographer or dancer. But I am not going to be interviewed!
If a GP (General Practitioner= local doctor, for readers outside UK) is interested in this kind of things, she would be interested in human. Some people are going to see a doctor because this hurts and this body part is uncomfortable... and some doctor would give just painkillers to sort out the problems. But the true nature of the body is not like that and there are deeper connections to other body parts and systems and also the mind... It is time-consuming to see a patient in the holistic way and this way definitely does not fit the respectable free-of-charge GP system in this country. I wonder how this GP would cope with her job and her real interest.
Same can be said with my job as Pilates teacher.
In addition, I have stomachache right now.
This kind of performance, I like.
I am interested in developing very original form of performance.
... I was too late to find this notice. The show was finished yesterday.
Subscribe to:
Posts (Atom)

